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| Where Was City of Blood Filmed? All 2026 Series Locations. |
The 2026 series City of Blood was filmed mainly across the Czech Republic, with additional exterior and background footage captured in Berlin, Germany. The production used real streets, industrial sites, railway areas, rural locations and purpose-built studio sets to turn parts of the Czech landscape into a dystopian version of future Berlin. Not every exact filming spot was publicly identified while production was under way, partly because revealing locations during an active shoot can attract unwanted visitors and disrupt the work. So, for anyone hoping to recreate the series on a holiday, this is a case where the production trail is useful but still has a few doors firmly closed.
Prague served as the main production base for City of Blood and provided much of the urban environment seen throughout the series. The Czech capital was particularly useful because its historic architecture can look remarkably different once covered with futuristic signage, barricades, grime and production dressing.
Areas around Lannova Park and Nové Město were used for major street sequences, including large-scale scenes involving unrest and security checkpoints. The contrast is rather amusing in its own way: one moment you are looking at Prague, one of Europe's most recognisable historic cities, and the next it has apparently been promoted to a severely unhappy future city-state.
Lannova Park became one of the more important individual Prague locations used by the production. The surrounding urban environment gave the crew enough space to stage substantial street action while retaining the dense city atmosphere required for the fictional Berlin.
Production dressing transformed ordinary streets into parts of a society struggling with environmental collapse, with futuristic barriers, altered signage and layers of visual wear helping sell the illusion. It is the sort of location where knowing what you are looking at beforehand would probably make an ordinary stroll considerably more interesting.
Nové Město also contributed to the show's urban landscape, particularly for sequences requiring recognisable city architecture alongside the harsher visual language of the story. The district's mixture of streets, buildings and public spaces gave the production plenty of options for creating different sections of its fictional Berlin without having to make everything look suspiciously like a film set. That was especially useful for a story where the city itself is practically another character.
Karlín was another Prague district used for the production, with its industrial-era architecture, warehouses and working-city character helping establish the less privileged side of the fictional metropolis. In City of Blood, the clean and protected world of the elite is deliberately contrasted with crowded and deteriorating areas outside the climate-controlled dome. Karlín's mixture of older industrial structures and modern urban development therefore fitted rather neatly into the show's visual approach.
Holešovice supplied another important part of Prague's tougher urban appearance. Its industrial heritage and storage areas were incorporated into the environments representing the overcrowded outer sectors of the city. The production could take advantage of existing architecture rather than constructing an entire dystopian metropolis from scratch, which is probably kinder to the production budget and considerably less stressful for everyone involved.
Kladno became one of the production's most distinctive industrial destinations. The city, west of Prague, has a long association with heavy industry, making it particularly useful for the darker parts of City of Blood. The historic Poldi steelworks provided enormous industrial structures, weathered metalwork and imposing remnants of its manufacturing past. These surroundings were used to create the world occupied by the vampire syndicates, giving their operations a suitably intimidating environment without requiring the crew to invent every rusty wall from nothing.
Kladno's wider industrial zone also contributed to the show's broader visual identity. The old factories, steel structures and industrial landscapes gave City of Blood the kind of hard-edged atmosphere that would have been difficult to reproduce convincingly with a polished modern studio environment. There is something almost unfairly convenient about finding an existing industrial landscape that already looks like the future has gone badly wrong.
Chomutov was another important Czech filming destination. The city and surrounding northern Bohemian landscape offered a very different environment from central Prague, with industrial infrastructure and open landscapes helping create the barren territory surrounding the fictional Berlin city-state. The production used the area's rugged appearance to reinforce the idea of a world altered by environmental decline.
Ústí nad Labem added another layer to those exterior environments. The northern Czech city is surrounded by industrial infrastructure and dramatic terrain, allowing the production to create the scorched, heavily transformed landscapes required by the series. Railway facilities and wider industrial areas also provided practical locations for scenes that needed something more substantial than a conventional city street.
Trmice, just outside Ústí nad Labem, was used for industrial environments connected to the show's heavily controlled infrastructure. The area's large-scale utility structures and concrete surroundings helped create the visual impression of an energy system capable of supporting the enormous climate-controlled dome protecting the city's wealthiest residents. It is hardly the traditional holiday postcard, but City of Blood clearly was not looking for postcards.
Trmice's power-station surroundings were particularly useful for creating the heavily secured infrastructure seen in the series. The industrial architecture supplied the scale and severity required for the story's energy facilities, while the production could alter the setting through lighting, dressing and visual effects. The result helped make the fictional dome feel like a functioning system rather than merely a shiny digital object floating above Berlin.
Králův Dvůr provided a different sort of landscape for the production. Its older masonry, stone structures and quarry environments were incorporated into sequences involving hidden routes and underground passages connecting different parts of the fictional city. The location's older architectural character gave these scenes a sense of history that would have been difficult to achieve with an entirely modern setting.
Soutice was also used for structural and rural environments connected with the hidden transit routes in the story. Older walls, canals and quarry landscapes helped create spaces that could plausibly sit beneath or beyond the heavily controlled urban centre. City of Blood repeatedly moves between polished elite environments and rougher spaces, so having access to locations with completely different textures was particularly valuable.
Benešov contributed rural and former military environments to the production. These spaces were used for hidden bases associated with the human resistance, giving the series another visual contrast between the heavily controlled city centre and the less conventional places where opposition groups operate. The area's mix of open land and existing structures made it practical for scenes requiring isolation without making the characters appear to have simply walked into the nearest empty field.
Lahovice supplied additional rural and warehouse-style environments for the series. These locations helped build the concealed operational spaces used by the resistance, extending the world beyond Prague's recognisable streets. The production's approach here was fairly clever: rather than making every secret location look like an expensive cinematic set, existing industrial and rural spaces could be transformed through dressing and lighting.
Kostelec nad Černými lesy was another Czech location incorporated into the wider production footprint. Its combination of built-up areas and surrounding landscapes gave the crew additional options for scenes requiring environments outside the central urban setting. For a series depicting a city-state under enormous environmental and political pressure, being able to shift quickly between urban, rural and industrial surroundings was clearly useful.
Lysá nad Labem also formed part of the Czech filming landscape. The town and surrounding area offered another change of scenery from Prague, contributing to the broader collection of environments used to construct the fictional future Berlin. Its inclusion demonstrates just how widely the production travelled rather than relying on a single city to stand in for every part of the story.
Brno was another major Czech city included in the production schedule. Its substantial urban infrastructure and architectural variety gave the filmmakers additional options for creating environments that could pass for different sections of the fictional city. Brno also helped expand the production beyond Prague, allowing the series to build a much larger visual world while still maintaining a coherent identity.
Benešov, Lahovice, Soutice, Králův Dvůr, Kostelec nad Černými lesy and Lysá nad Labem collectively show how extensive the location work was. Rather than filming the entire series in one convenient urban centre, the production moved through a mixture of towns, industrial areas and rural settings across the Czech Republic. That matters because the story's Berlin is supposed to feel like a whole functioning city-state, not a collection of streets that suspiciously keep appearing from different angles.
Berlin, Germany, naturally, also appears in the production story. Supplementary landscape footage, historical street material and architectural background plates were captured in the German capital to preserve recognisable Berlin elements within the fictional future setting. The main production nevertheless took place in the Czech Republic, meaning viewers should not assume that every Berlin-looking street in the finished series was actually filmed in Berlin.
Prague's studio facilities, operated through the Czech production infrastructure associated with Sirena Film, handled another major part of the work. The immaculate interiors inside the climate dome, including luxury spaces, corporate rooms and medical facilities, were built as physical sets on soundstages.
That distinction is important because some of the most futuristic locations in City of Blood were not real-world buildings waiting to be discovered on Google Maps. Sadly, there is no holiday itinerary for wandering into a fictional billionaire's penthouse.
The Czech physical production was handled with support from Sirena Film, the local production company that had previously worked on major international filmmaking in the country. City of Blood's overall schedule ran for 110 shooting days, beginning on 25 March 2024 and wrapping on 12 September 2024. That lengthy shoot explains why the production could cover such a broad collection of environments rather than simply relying on a handful of repeat locations.
As for visiting these places, several of the real-world areas used for City of Blood are public destinations, although access to individual industrial facilities, operational infrastructure and private production spaces naturally depends on the site. The Czech Republic therefore offers plenty for viewers who enjoy spotting filming locations, while Berlin provides the extra fun of comparing the real city with the fictional version presented in the series. Just remember that the existence of a filming location does not automatically mean every gate, factory or studio interior is open for a casual wander.
My take is that the location work could end up being one of the more interesting details about City of Blood because the production has not simply painted Prague over with digital effects and called it futuristic Berlin. It has pulled together historic streets, industrial ruins, power infrastructure, rural spaces and enormous working landscapes to make the fictional world feel physically connected.
Kladno's old steelworks, in particular, sounds like exactly the sort of place that can make a production look expensive without needing to build an entire industrial nightmare from scratch. The decision to use so many Czech locations also gives the series a slightly strange geographical identity: you are watching Berlin, but quite a lot of that Berlin is actually Czech. And honestly, that is part of the fun of filming-location detective work. You start recognising one street, then suddenly discover the supposedly same city was filmed several hours away. Cinema geography remains wonderfully chaotic.
For now, these are the City of Blood filming locations identified from the production information available, covering Prague, Brno, Kladno, Chomutov, Ústí nad Labem, Trmice, Králův Dvůr, Soutice, Benešov, Lahovice, Kostelec nad Černými lesy, Lysá nad Labem and Berlin. As more specific location information becomes public, the list can be expanded. So, which City of Blood filming location would you most like to visit, and would you actually recognise it without the show's futuristic makeover?