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| Love Has Fireworks Could Air in April After Court Ruling Removes Casting Obstacle. (Image via: Beauty) |
After nearly two years on the shelf, Chinese modern romance drama “Love Has Fireworks (爱情有烟火)” is now widely rumoured to air this April 2026, reigniting interest in a project that many believed might never see the light of day. The series, led by Tan Jianci and Wang Churan, wrapped filming in July 2023 but was stalled amid off-screen controversy and production hurdles.
Industry chatter this week suggests scheduling discussions are finally moving forward. While no official broadcast date has been confirmed, online platforms are reportedly preparing promotional slots, fuelling speculation that the long wait may soon be over.
Why Was “Love Has Fireworks” Delayed?
The drama’s postponement was linked to controversy involving supporting actor Zhang Haowei.
At the time, concerns around reputational risk led to uncertainty over whether the series would require costly post-production alterations, including potential AI face replacement. Limited production funds meant those options were not viable, placing the drama in indefinite limbo.
Last year, Zhang Haowei won a court case that ruled allegations against him had been fabricated by an acquaintance.
With his name formally cleared, the production faced fewer obstacles in moving ahead. That legal outcome appears to have reopened the path for broadcast consideration.
The rumoured April window aligns with Wang Churan’s recent surge in popularity following her latest drama “How Dare You!?”.
Audience engagement figures and social media buzz have strengthened her market position, prompting industry watchers to suggest the timing may be commercially strategic.
For Tan Jianci, whose steady career trajectory has built a loyal fan base, the drama represents another step into mainstream modern romance territory. The pairing itself has been a key selling point since casting was first announced.
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| April Launch Expected Without Face Replacement Changes |
Adapted from Hong Jiu’s novel “We Live Together”, the story centres on Qian Fei, an investment bank employee whose carefully planned future collapses when her fiancé, Wang Ruo Hai, abruptly ends their engagement.
Forced to rebuild both her emotional stability and professional direction, Qian Fei begins again from scratch. Enter Li Yi Fei, a wealthy second-generation heir determined to prove himself independently. He views romance as secondary to ambition, until his own relationship falls apart when his girlfriend, Gui Li Li, leaves, unwilling to give up a life of luxury.
Circumstances bring Qian Fei and Li Yi Fei under the same roof when she rents out a room to help cover mortgage repayments.
What follows is a cohabitation arrangement shaped by clashing personalities, sharp dialogue, gradual emotional growth, and a billionaire concealing his true identity.
The narrative blends workplace dynamics, adult relationships, and a Cinderella-style twist within a grounded urban setting. Themes of independence, financial pressure, and emotional resilience sit at its core.
Comparisons to “Only for Love”
Observers have already drawn parallels to the commercial success of “Only for Love”, which demonstrated strong appetite for glossy, city-based romance amid a market saturated with historical costume dramas.
With its contemporary tone and co-living trope, “Love Has Fireworks” may offer viewers a shift in genre pace.
The adaptation is expected to retain the novel’s realism while incorporating sharper visual style and light comedic touches, positioning it as both aspirational and relatable.
Some fans are openly excited, arguing the drama deserves a proper launch after such a prolonged delay. Supporters of Tan Jianci and Wang Churan have expressed confidence in their on-screen chemistry, citing behind-the-scenes clips from the filming period.
Others remain cautious. A section of netizens question whether the long postponement will affect promotional momentum. There are also debates over whether the “hidden billionaire” trope still resonates with modern audiences, or whether viewers now favour more grounded relationship storytelling.
However, curiosity appears to outweigh scepticism. Search trends for the title have risen following the rumoured April scheduling, suggesting the project still holds commercial pull.
Can “Love Has Fireworks” Become a Breakout Hit?
The drama arrives at a moment when modern romance series are regaining ground in the Chinese television market. If scheduled strategically and marketed effectively, it could benefit from both star momentum and genre fatigue from historical epics.
For Tan Jianci, a successful run could further consolidate his standing as a leading man in contemporary dramas. For Wang Churan, it may extend her current upward trajectory.
An official air date has yet to be confirmed. Until then, the speculation continues.
Do you think “Love Has Fireworks” can live up to the hype after such a long wait? Will the cohabitation romance trope still land with today’s audience, or has the market moved on?