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| Where Was Wicker Filmed? All Known Filming Locations of the 2026 Movie. |
The 2026 romantic fantasy comedy Wicker was filmed in Hungary, with Budapest serving as the production hub and purpose-built medieval sets at Korda Studios in Etyek and the National Film Institute (NFI) Studios in Fót providing the settings for its fictional fishing village. Although the story unfolds in a seaside community, the production relied on constructed sets rather than filming the entire village beside a real coastline.
That distinction matters if you are planning a trip to retrace the film’s locations: Hungary offers identifiable production sites, but the fictional streets, homes and workshops should not be mistaken for preserved historical landmarks that visitors can freely explore.
The film, written and directed by Alex Huston Fischer and Eleanor Wilson, adapts Ursula Wills-Jones’s short story The Wicker Husband. Olivia Colman leads the cast as a fisherwoman who commissions a husband woven from willow branches, played by Alexander Skarsgård. Peter Dinklage, Elizabeth Debicki and Nabhaan Rizwan also feature in the story.Principal photography took place in 2025, with the production using specialised facilities and practical effects to bring its unusual fairy-tale setting to life. However, not every individual set location or filming address has been publicly identified, and there is little point in inventing precise addresses simply to make a travel itinerary look more impressive.
Korda Studios in Etyek, west of Budapest, is one of the key production facilities associated with Wicker. The studio is known for its large-scale film production infrastructure and period-style backlot environments, making it suitable for a story that requires an entire medieval community rather than a handful of decorative buildings.
For the film, its sets provided the basis for the village streets and buildings, including the kind of tightly packed neighbourhood where everyone appears to have an opinion about everybody else's private life. Naturally, that is an ideal arrangement for a comedy about gossip: why let a fictional village mind its own business when the plot depends on it doing precisely the opposite?
The important distinction for visitors is that Korda Studios is a working film-production facility, not a permanent tourist village. The buildings and streets used on screen may be adapted, altered or inaccessible outside production. Access to studio grounds and backlots depends on the facility's arrangements, so travellers should check its visitor policies before making a special journey.
Etyek itself offers a reason to extend the trip, particularly for visitors interested in Hungarian wine country. The surrounding vineyards and wine-producing traditions provide a different sort of day out, although they should not be confused with filming locations from Wicker. The film's fictional village remains a creation of the production team, not a real medieval settlement waiting around for fans to arrive.
The second major filming facility is National Film Institute (NFI) Studios in Fót, north of Budapest. Its production spaces were used as part of the film's constructed world, with secondary environments contributing to the village's more isolated outskirts. These settings help establish the contrast between the fisherwoman's life away from the main community and the tightly controlled social world inhabited by her neighbours.
The production's reliance on studio-built environments also gave the filmmakers greater control over the atmosphere, set design and practical requirements of the shoot. It is considerably easier to maintain a carefully designed fairy-tale aesthetic when the production can control its surroundings than when the weather, passing traffic and curious tourists have other ideas.
For anyone hoping to visit, NFI Studios should be treated as a professional production site rather than a public heritage attraction. The precise sets used for the fisherwoman's home and the basketmaker's workshop are not independently established as permanent, publicly accessible destinations.
That does not make the studio any less relevant to the film's production history; it simply means that a visit needs realistic expectations. Travellers exploring the wider Fót area can also look into local cultural and recreational attractions, but these should be considered additional stops on a Hungarian itinerary rather than locations featured in the movie. A little research before setting off is preferable to arriving at a studio gate expecting a guided tour of a fictional basketmaker's workshop.
Budapest served as the production's central operational base throughout the 2025 shoot. The Hungarian capital provided access to the country's film-production workforce, technical services, craftspeople, costume specialists and other resources needed to create the film's distinctive visual identity.
Although the fictional story takes place in a coastal village, the production's use of facilities around Budapest meant that much of its work could be coordinated inland. Soundstage work and practical-effects requirements were also part of the wider production process, helping the team bring its unusual central character to the screen.
Budapest is also the most practical starting point for fans who want to explore the wider region. The city offers historic architecture, museums, riverside views and a wealth of places to eat, making it easy to build a proper holiday around a film-location excursion.
Visitors can explore established attractions such as Buda Castle and the Hungarian Parliament Building, but neither should be presented as a Wicker filming location on the available production information. They are simply worthwhile additions for anyone travelling to Hungary. After all, a holiday does not need every stop to appear in the credits to justify the cost of the plane ticket.
The production's use of constructed medieval backlots is central to understanding why Wicker looks the way it does. Rather than relying on a collection of real villages and coastal landscapes, the filmmakers could shape the streets, buildings and surrounding environments to suit the story.
That approach was particularly useful for a romantic fantasy comedy whose setting needed to feel isolated, old-fashioned and faintly absurd. The fictional community's narrow-minded attitudes are part of the satire, and a carefully controlled environment allows those themes to remain at the centre of the film's visual presentation.
The practical wicker suit created by Weta Workshop also formed part of the film's distinctive production approach. Alexander Skarsgård's character needed to look like a woven figure while still conveying a recognisable personality, which presented a very different challenge from dressing an ordinary human character in period clothing.
Combined with the studio sets and production design, the practical-effects work helped establish the film's unusual fairy-tale world. It also reinforces why the locations should be understood as a combination of real production facilities and constructed environments, rather than a straightforward list of picturesque villages that audiences can visit.
Filming took place during 2025, giving the production time to complete principal photography before moving through its post-production work ahead of the film's 2026 release. However, a completed film does not necessarily leave behind a permanent collection of attractions for visitors.
Sets can be dismantled, redesigned or reused, and specific production areas may remain private. Anyone researching Wicker filming locations should therefore distinguish between the facilities associated with the shoot and the individual fictional places created within them. That is particularly important when an article promises exact locations, because a studio address and the location of a particular scene are not necessarily the same thing.
In my opinion, Wicker has the makings of an especially interesting film-location trip because its setting is so deliberately artificial. Most location guides send fans chasing recognisable streets, famous buildings or dramatic landscapes, but this film takes a different route by building its own medieval world. Hungary's studios are therefore more relevant to its visual identity than a random seaside village would be.
Budapest makes the most convenient base, while Etyek and Fót offer a stronger connection to the production itself. Still, it is worth keeping expectations sensible: a working studio is not a theme park, and the exact sets may no longer exist in their original form. I would combine the production-related stops with Budapest's historic sights and a trip into the Etyek countryside. That way, even if access to a studio is unavailable, the journey still feels worthwhile rather than like an expensive attempt to photograph a closed gate.
Ultimately, the most clearly identified filming locations associated with Wicker are Korda Studios in Etyek, NFI Studios in Fót and Budapest as the production hub. These facilities explain how the filmmakers created the fictional village, but they do not establish that every street, home or workshop shown in the film exists as an independently visitable location.
Some production details may remain undisclosed, and individual sets may not be open to the public. If further specific locations are officially identified, the list can be expanded without confusing genuine filming sites with attractions that simply happen to be in the same region. Would you add Hungary to your travel bucket list to explore the world behind Wicker, or would you rather stick to the film's fictional village from the comfort of your sofa? Let us know which location interests you most.