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| Where Was Below Filmed? All Newfoundland and Labrador Locations Revealed. |
Below was filmed almost entirely in Newfoundland and Labrador, Canada, with production choosing real coastlines, fishing communities and rugged Atlantic landscapes instead of relying on traditional Hollywood green screens and soundstages. The six-episode Netflix series used locations across the Avalon Peninsula and further north, turning places such as Brigus South, Harbour Main, Conception Harbour, Pouch Cove, Cape St. Francis, Twillingate and St. John’s into the bleak maritime world surrounding the fictional community of Snook’s Arm. Not every exact filming spot was publicly identified during production, which is hardly surprising when a crew is trying to shoot a series without curious visitors wandering into the frame every five minutes.
Brigus South is the most important filming location for Below because the Newfoundland fishing community was transformed into the fictional town of Snook’s Arm. Production made extensive use of its traditional wooden wharves, fishing stages and exposed coastline, giving the fictional settlement the weathered appearance of a real Atlantic outport rather than something assembled on a studio backlot. Even a local paint shop became part of the production operation, serving as a supply point for the set team. For viewers wanting to understand why Snook’s Arm feels so isolated, Brigus South provides perhaps the clearest answer: the landscape does much of the acting.
Harbour Main also played a substantial role, particularly for scenes that needed an authentic community interior. One of the key places used by the production was Fureys Pub, which was turned into an important gathering point for the characters.
The pub setting fits the series rather neatly, given that Below is built around a small fishing community where rumours, arguments and increasingly serious concerns about the sea creature inevitably need somewhere to collide. A real local establishment was therefore considerably more useful than dressing up an anonymous studio interior and hoping nobody notices.
Conception Harbour was used for one of the production's more ambitious practical sequences. The crew built a full-sized house prop on the shoreline before towing the structure out into the open water for scenes involving the creature dragging a home beneath the surface.
It is exactly the sort of practical filmmaking decision that gives Below its physical sense of scale. Rather than asking visual effects to create every part of the disaster, the production put an actual large structure on the water and filmed the action around it. That sounds straightforward until you remember that somebody then has to get the enormous thing back.
Pouch Cove provided another stretch of Newfoundland coastline for the series, with its dramatic rocks and exposed Atlantic setting appearing in the show's seaside sequences. The location's rugged geography helped create the feeling that the characters are living at the edge of something much larger and less predictable than their isolated community.
The crashing water and hard coastal terrain suit a story about an unknown creature emerging from the deep particularly well. It is also the kind of scenery that makes a perfectly normal holiday photograph look as though something enormous might surface behind you at any moment.
Cape St. Francis was used for one of the production's most elaborate practical environments. Along the East Coast Trail, the crew created a detailed sunken and ruined church structure within the landscape, surrounding it with a specially constructed hillside graveyard.
The resulting setting gives the series another layer of atmosphere while keeping the supernatural elements grounded in a recognisable Newfoundland environment. Instead of simply placing a digital ruin into a computer-generated landscape, the production physically built the environment into the terrain, allowing the actors and cameras to interact with a real set.
Twillingate took the production further north for additional outdoor material, particularly footage involving the region's North Atlantic waters and real icebergs. That choice is particularly relevant to Below's story because ice is directly connected to the mystery surrounding the creature.
The series begins building its central threat around the discovery of an unusual frozen biological material and the suggestion that something beneath the water has been waiting for a very long time. Real icebergs naturally make that premise considerably more convincing than a digital wall of ice.
St. John's functioned differently from the coastal shooting locations. Newfoundland and Labrador's capital served as the principal production and logistical base for the cast and crew, housing production offices, equipment and other operational facilities. It also provided the practical starting point for maritime filming, with local water-safety support and Coast Guard involvement forming part of the wider operation. While St. John's may not represent Snook's Arm on screen in the same way as Brigus South, it was central to making the production work behind the scenes.
The geography of Newfoundland and Labrador ultimately becomes one of Below's biggest visual assets. The series needed a setting where a remote fishing community could plausibly feel cut off from the outside world while also sitting directly beside an enormous and unpredictable ocean.
The Avalon Peninsula and the province's northern coastline offered both without requiring the production to manufacture the entire environment. The result is a show where cliffs, fishing stages, rough water, ice and isolated settlements aren't simply decorative backgrounds; they are part of the story's tension.
Principal photography took place between June and October 2025, covering several months of production for the six-episode limited series. That schedule also allowed the filmmakers to work across changing seasonal conditions, moving from Newfoundland's summer landscapes towards the colder atmosphere of early Atlantic autumn. For a supernatural thriller centred on a creature from the ocean, that environmental shift is particularly useful. The weather does not need much help from the visual-effects department to look threatening.
The decision to shoot Below on real locations also makes sense creatively. The story follows Calvin Penney, played by Josh Hartnett, a fisherman and single father who becomes involved with marine biologist Dr Fonda Howander, played by Mackenzie Davis, after a mysterious sea creature begins threatening the community.
Their investigation takes place against a town already dealing with economic decline, resettlement pressure and old family secrets. Having those characters physically surrounded by real Atlantic landscapes gives the family drama and creature story a stronger connection to the same place.
For viewers planning a Newfoundland trip, Brigus South, Harbour Main, Conception Harbour, Pouch Cove, Cape St. Francis, Twillingate and St. John's offer a fascinating way of seeing the landscapes that shaped Below. Some locations are ordinary working communities rather than purpose-built tourist attractions, so the appeal is less about finding a giant Netflix sign and more about recognising the coastline, buildings and scenery that helped create Snook's Arm. And yes, that probably makes the trip considerably more enjoyable than standing beside a studio wall pretending an iceberg is somewhere behind you.
My take is that the locations are arguably more interesting than they have any right to be for a creature thriller. Below could easily have gone down the familiar route of gloomy studio sets, computer-generated oceans and a suspicious amount of fog, but the Newfoundland setting gives it something more tangible. Brigus South has the fishing-town character, Conception Harbour supplies the practical spectacle, while Pouch Cove and Cape St. Francis bring the sort of coastline that looks naturally cinematic without begging for attention.
Twillingate adds the ice, and St. John's quietly keeps the whole operation functioning behind the scenes. The clever part is that none of these places needs to pretend to be Newfoundland. They already are. If you're building a story about an ocean monster ruining everyone's day, you might as well put the actors beside a real Atlantic Ocean and let nature do some of the heavy lifting.
For now, these are the Below filming locations identified from the production details, although the full list of exact shooting points was not publicly released during filming. That is fairly normal for a production working across small communities and sensitive locations, particularly when keeping sets manageable is more important than satisfying every location-hunting obsession in real time.
If you were planning a Newfoundland trip inspired by the series, which Below filming location would you put at the top of your itinerary: the fishing streets of Brigus South, the cliffs of Pouch Cove, the icy waters of Twillingate or somewhere else? Share your pick and let us know which location you would want to see first.