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| Zhao Lusi Speaks Up About Drama Comeback and Almost Lover Concerns (Photo: Weibo) |
Zhao Lusi has finally addressed the question everyone’s been asking: when is she returning to set? During a live broadcast on 17 February, the popular Chinese actress spoke openly about her drama comeback plans and why fans haven’t seen her confirm a new project yet.
In the livestream, Zhao Lusi made it clear that she does want to return to filming as soon as possible. However, she stressed that drama production is never as simple as saying yes to a script and showing up on set. From script polishing and character adjustments to full production preparation, every stage requires time, coordination, and serious planning.
According to Lusi, rushing into a project without solid groundwork can easily lead to bigger issues down the line.
She admitted she worries about what could happen if a production moves forward too quickly and ends up facing avoidable problems. For her, that kind of situation doesn’t just affect the drama — it impacts her both professionally and emotionally.
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| Zhao Lusi Prioritises Quality Over Speed in Upcoming Drama Project |
One statement that caught major attention was her reference to past difficulties.
Lusi firmly said she would never continue acting if something like the Almost Lover production issues happened a second time, because she genuinely could not handle going through that again. The honesty in her tone quickly became a hot topic across Chinese social media.
At the same time, she revealed that she hopes things can move quickly behind the scenes so she can join a filming team soon.
It appears she has already selected a script and is now waiting for final production preparations to be completed before officially entering filming mode. In short, the comeback is in motion — just not rushed.
#ZhaoLusi revealed that she hopes things can move quickly so she can join a filming team soon, but filming can’t be rushed. Script polishing & production prep take time, and she wants to be very careful.
— anne (@rosyholp) February 17, 2026
Lusi said she would never act again if something like the Almost Lover… pic.twitter.com/bHrmxs8mJ0
As one of the top young actresses in the Chinese entertainment industry, Zhao Lusi has built her name through multiple hit romance and youth dramas that performed strongly in ratings and international streaming markets. It’s no surprise that anticipation around her next project is sky high.
What can viewers expect from her upcoming genre choices? If Lusi returns to romance or youth dramas, audiences can likely expect emotionally layered characters, strong chemistry with co-stars, and visually polished storytelling.
Should she branch into more mature or realistic themes, fans may see a deeper, more grounded performance that reflects her growth in recent years. Either way, expectations are high, especially after her careful comments about quality control.
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Some fans praised her cautious stance, saying it shows professional responsibility and self-protection. They believe taking time ensures better storytelling and a healthier working environment. Many commented that they would rather wait longer for a high-quality drama than see her rushed into something unstable.
On the other hand, a smaller group expressed impatience. With the competitive nature of the Chinese drama market, some worry that a long break could affect visibility. Still, even among those voices, most agree that stability and preparation matter more than speed.
Industry watchers are also reading between the lines.
The fact that she hinted a script is already chosen suggests the project may quietly be in pre-production. If preparations move smoothly, an official announcement could arrive sooner than expected.
For now, Zhao Lusi’s message is simple but firm: she is ready to return, but only under the right conditions. In an industry that often moves at lightning speed, her decision to prioritise preparation over pressure feels deliberate.
What do you think? Should stars take longer breaks to secure quality projects, or is momentum everything in today’s drama market?