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| Who Exactly Is Ji Guang Guang — The Screenwriter at the Centre of Yu Menglong’s Tragic Story? |
When news broke on September 2025, that actor Yu Menglong (Alan Yu) had tragically died after falling from a sixth-floor building, the Chinese entertainment world was left in disbelief.
Within hours, online communities began piecing together the events of that night — and one name kept popping up in conversation: Ji Guang Guang (极光光), the pen name of screenwriter Li Ming (李明).
🧩 A Rising Talent with a Quiet Persona
Born March 16, 1986, in Zibo, Shandong, Li Ming graduated from the Beijing Film Academy and started off as an online novelist before stepping into screenwriting.
His debut web novel Wanruo Liange gained millions of reads, pushing him into the spotlight and opening doors in television.
As a screenwriter, Ji Guang Guang’s portfolio includes several well-known dramas such as Good Every Day (also known as Unmarried Queen), Shadow Love (与晋长安), and Mr. Fighting (加油，你是最棒的) — all works that explore complex emotional dynamics and personal struggles.
He built a solid name for himself as a creative but somewhat mysterious figure, preferring to stay out of the limelight.
🕯️ The Tragedy That Sparked Speculation
When Yu Menglong’s studio confirmed the actor’s passing and police ruled out any criminal suspicion, online discussion should have calmed.
Instead, it intensified.
Attention turned to those who attended a private dinner the night before the tragedy — among them Ji Guang Guang, Gao Taiyu, director Cheng Qingsong, and several others from the same production circle.
Soon after the news hit headlines, Ji Guang Guang restricted comments on his social media, which only heightened speculation.
Online sleuths started comparing details of his home environment to the reported location of the incident, though no legal evidence has ever linked him to the case.
Netizens also pointed to the eerie resemblance between the emotional themes of his scripts and the tragic nature of Yu Menglong’s death — a purely symbolic connection, but one that captured public imagination.
💬 Public Reactions and Corporate Fallout
On September 14, 2025, Beijing Qinghuan Entertainment & Cultural Media Co., Ltd. issued a formal statement announcing it would cease all commercial partnerships with Cheng Qingsong, Li Ming (Ji Guang Guang), and Yao Yang (Gao Taiyu).
While the company cited “internal development strategy,” the timing — just days after the tragedy — fuelled talk that the decision was connected to public pressure.
Then on September 16, Yu Menglong’s mother posted through her late son’s studio account, pleading for calm and rationality.
She stressed that her son’s death was a tragic accident and that none of the dinner attendees were under criminal investigation.
Still, public scepticism lingered.
Many fans and netizens weren’t convinced, continuing to analyse every scrap of information related to Ji Guang Guang.
🎬 The Screenwriter Behind the Headlines
Despite the online noise, Ji Guang Guang’s professional record remains impressive.
He’s a respected name in China’s TV industry, known for layered storytelling and realistic emotional depth.
His career achievements, however, are now shadowed by association with a heartbreaking event that continues to haunt fans.
While no official evidence connects Ji Guang Guang to any wrongdoing, the public fascination around his name highlights how quickly narratives can spiral in the digital age — especially when tragedy strikes a beloved figure like Yu Menglong.
As of now, Ji Guang Guang has neither issued a public statement nor returned to social media, leaving both fans and media to speculate in silence.
TL;DR
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Ji Guang Guang (Li Ming) is a Shandong-born screenwriter known for Good Every Day, Shadow Love, and Mr. Fighting.
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He attended a dinner with Yu Menglong the night before the actor’s death on September 11, 2025.
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Police found no criminal activity, but Ji’s silence online sparked rumours.
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Entertainment company Beijing Qinghuan Media later dropped collaborations with him.
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Despite controversy, he remains one of the more prominent writers in China’s modern TV landscape.